miswritten:

some gross white dude asked if he could “ask me something” as i was walking to the BART with a friend and i said no.

later:

i was at a taco truck a couple blocks from my house w/ some friends earlier, we were waiting for our order, some white guy smiles at me and i don’t smile…

fuckyeahchinesemyths:

yerawizardharry:

Nüshu (literally “women’s writing” in Chinese) is a syllabic script created and used exclusively by women in the Jiangyong County in Hunan province of southern China. Up until the late Qing Dynasty (1644-1912) women were forbidden access to formal education, and so Nüshu was developed in secrecy as a means to communicate. Since its discovery in 1982, Nüshu remains to be the only gender-specific writing system in the world.Read more here.

I really had to reblog this, guys.

fuckyeahchinesemyths:

yerawizardharry:

Nüshu (literally “women’s writing” in Chinese) is a syllabic script created and used exclusively by women in the Jiangyong County in Hunan province of southern China. Up until the late Qing Dynasty (1644-1912) women were forbidden access to formal education, and so Nüshu was developed in secrecy as a means to communicate. Since its discovery in 1982, Nüshu remains to be the only gender-specific writing system in the world.

Read more here.

I really had to reblog this, guys.

koreanmodel:

Won Kyoung Kim – Harper’s Bazaar Korea March 2012 by Kim Moo Il

koreanmodel:

Won Kyoung Kim – Harper’s Bazaar Korea March 2012 by Kim Moo Il

(via monolidlove)

bookishboi:

just-swimmingly:

Reason 3,629 for why I’m fat. by Thelemoncookie on Flickr.
Via Flickr:It’s been so much work lately I’ve decided to take a mental break and snap a few shots. I finally got another gym membership closer to the new gig and I should really get on that. Once I’m done working 13 days straight I can hit the gym again. Opening a new restaurant is way too much work. As for now, I’ll enjoy the consequences for being fat. Fat tits ftw.

Yum.

wow.

bookishboi:

just-swimmingly:

Reason 3,629 for why I’m fat. by Thelemoncookie on Flickr.

Via Flickr:
It’s been so much work lately I’ve decided to take a mental break and snap a few shots.

I finally got another gym membership closer to the new gig and I should really get on that. Once I’m done working 13 days straight I can hit the gym again. Opening a new restaurant is way too much work. As for now, I’ll enjoy the consequences for being fat. Fat tits ftw.

Yum.


wow.

fuckyeahethnicwomen:

lostsplendor:

Hazel Lee [1912-1944] 
Experienced women pilots, like Lee, were eager to join the WASP, and responded to interview requests by Cochran. Members of the WASP reported to Avenger Field, in wind swept Sweetwater, Texas for an arduous 6-month training program. Lee was accepted into the 4th class, 43 W 4.[2] Hazel Ying Lee was the first Chinese American woman to fly for the United States military.
Although flying under military command, the women pilots of the WASP were classified as civilians. They were paid through the civil service. No military benefits were offered. Even if killed in the line of duty, no military funerals were allowed. The WASPs were often assigned the least desirable missions, such as winter trips in open cockpit airplanes. Commanding officers were reluctant to give women any flying deliveries. It took an order from the head of the Air Transport Command to improve the situation.
Upon graduation, Lee was assigned to the third Ferrying Group at Romulus, Michigan. Their assignment was critical to the war effort; Deliver aircraft, pouring out of converted automobile factories, to points of embarkation, where they would then be shipped to the European and Pacific War fronts. In a letter to her sister, Lee described Romulus as “a 7-day workweek, with little time off.” When asked to describe Lee’s attitude, a fellow member of the WASP summed it up in Lee’s own words, “I’ll take and deliver anything.”
Described by her fellow pilots as “calm and fearless,” Lee had two forced landings. One landing took place in a Kansas wheat field. A farmer, pitchfork in hand, chased her around the plane while shouting to his neighbors that the Japanese had invaded Kansas. Alternately running and ducking under her wing, Lee finally stood her ground. She told the farmer who she was and demanded that he put the pitchfork down. He complied.
Lee was a favorite with just about all of her fellow pilots. She had a great sense of humor and a marvelous sense of mischief. Lee used her lipstick to inscribe Chinese characters on the tail of her plane and the planes of her fellow pilots. One lucky fellow who happened to be a bit on the chubby side, had his plane dubbed (unknown to him) “Fat Ass.”
Lee was in demand when a mission was RON (Remaining Overnight) In a big city or in a small country town, she could always find a Chinese restaurant, supervise the menu, and often cook the food herself. She was a great cook. Fellow WASP pilot Sylvia Dahmes Clayton observed that “Hazel provided me with an opportunity to learn about a different culture at a time when I did not know anything else. She expanded my world and my outlook on life.”
Lee and the others were the first women to pilot fighter aircraft for the United States military.
Image (via World War II Database)
Text [click for full article] (via Wikipedia)

reblog with info

fuckyeahethnicwomen:

lostsplendor:

Hazel Lee [1912-1944] 

Experienced women pilots, like Lee, were eager to join the WASP, and responded to interview requests by Cochran. Members of the WASP reported to Avenger Field, in wind swept Sweetwater, Texas for an arduous 6-month training program. Lee was accepted into the 4th class, 43 W 4.[2] Hazel Ying Lee was the first Chinese American woman to fly for the United States military.

Although flying under military command, the women pilots of the WASP were classified as civilians. They were paid through the civil service. No military benefits were offered. Even if killed in the line of duty, no military funerals were allowed. The WASPs were often assigned the least desirable missions, such as winter trips in open cockpit airplanes. Commanding officers were reluctant to give women any flying deliveries. It took an order from the head of the Air Transport Command to improve the situation.

Upon graduation, Lee was assigned to the third Ferrying Group at Romulus, Michigan. Their assignment was critical to the war effort; Deliver aircraft, pouring out of converted automobile factories, to points of embarkation, where they would then be shipped to the European and Pacific War fronts. In a letter to her sister, Lee described Romulus as “a 7-day workweek, with little time off.” When asked to describe Lee’s attitude, a fellow member of the WASP summed it up in Lee’s own words, “I’ll take and deliver anything.”

Described by her fellow pilots as “calm and fearless,” Lee had two forced landings. One landing took place in a Kansas wheat field. A farmer, pitchfork in hand, chased her around the plane while shouting to his neighbors that the Japanese had invaded Kansas. Alternately running and ducking under her wing, Lee finally stood her ground. She told the farmer who she was and demanded that he put the pitchfork down. He complied.

Lee was a favorite with just about all of her fellow pilots. She had a great sense of humor and a marvelous sense of mischief. Lee used her lipstick to inscribe Chinese characters on the tail of her plane and the planes of her fellow pilots. One lucky fellow who happened to be a bit on the chubby side, had his plane dubbed (unknown to him) “Fat Ass.”

Lee was in demand when a mission was RON (Remaining Overnight) In a big city or in a small country town, she could always find a Chinese restaurant, supervise the menu, and often cook the food herself. She was a great cook. Fellow WASP pilot Sylvia Dahmes Clayton observed that “Hazel provided me with an opportunity to learn about a different culture at a time when I did not know anything else. She expanded my world and my outlook on life.”

Lee and the others were the first women to pilot fighter aircraft for the United States military.

Image (via World War II Database)

Text [click for full article] (via Wikipedia)

reblog with info

(via ladyurduja)

loneberry:

moonroot:

DEADLINE: April 29, 2012
MOONROOT is looking for submissions to y/our second issue! And, out of a desire to build this radical and loving community, we are asking YOU to submit your heart, your stories, your love and your aches.

WHO WE ARE:
MOONROOT is an ongoing collective project about race, gender, and bodies. It is an evolving experiment in deep, loving community-building among self-identified womyn, trans*, and/or genderqueer persons of Asian descent (whether East Asian, South Asian, Pacific Islander, Southeast Asian, Central Asian, West Asian, hapa or mixed) living in diaspora, across borders and geographies. We believe that because our multiple and intersecting identities often render us invisible and misrepresented (even within our own communities), reclaiming our voices is a radical act of love and recognition.

We gravitated to each other to produce the first issue of MOONROOT in Fall 2011, which made its debut at the Baltimore Zine Bazaar. MOONROOT is a physical object, but most importantly, it is a community. We are building a visible, beautiful, and organic family.

OUR THEME for issue two is moonroutes. Possible topics to explore may include:

  • geographical and/or historical happenings
  • place / space
  • body as a landscape
  • reincarnations / past lives
  • diaspora / migrations / borderlands / uprooting
  • queering the diaspora
  • displacing biological notions of blood, home, and patrilineal descent
movements / moments / motions historical memory / mind pathways home / belonging / origins thoughts on future lives shifting relationships to our identities / our identity journeys!!!! transformations / liminality relationships of the colonized and colonizer within a body/bodies where we want to go / our imagined and desired futures the racialization of space confinement / barriers to movement education and class mobility anticolonial temporalities circular patterns in histories
  • resisting / changing harmful patterns & uncovering life-giving ones
migration by moonlight / cycles / nocturnal migrations the mystery of the unknown through the lens of the past and present perpetual foreigner myth

GUIDELINES

  • This will be a half-size zine. Submissions should be 1-4 pages.
  • Along with your submission, please include a brief (one sentence) bio and contact information; submissions can also be made anonymously.
  • Our crew will go through a consensus-based editorial process. If you send us a submission, we will be in touch with you to let you know if we have selected your piece.
  • We welcome all kinds of submissions. Text-based submissions should be in .doc, .rtf, or .txt format, and artistic submissions should be 300-600 dpi .tiff or .pdf files. Make sure each page is 5.5” x 8.5” (half letter).
  • Please send submissions by email to moonrootzine (at) gmail (dot) com with the subject line “SUBMISSION - [your name OR title of piece]”. If you have questions about format or if an email submission is not possible, please contact us.

MORE DETAILS: Please visit http://moonroot.tumblr.com. To see an example of our first issue, please visit http://issuu.com/moonrootzine/docs/moonroot.

QUESTIONS? Email moonrootzine (at) gmail (dot) com

NEW ISSUE OF MOONROOT COMING SOON! Please submit to us!

ilovecharts:

[[NSFWish]]
Made this a bit under a year ago. The results are less hardcore at the moment, but it’s still pretty flesh coloured.
All results from the first page or results.
-jethroq
We looked into Google and Google has looked into us.

wow this post pretty much sums up a lot of my life experience.

ilovecharts:

[[NSFWish]]

Made this a bit under a year ago. The results are less hardcore at the moment, but it’s still pretty flesh coloured.

All results from the first page or results.

-jethroq

We looked into Google and Google has looked into us.

wow this post pretty much sums up a lot of my life experience.

(via d2fang)